Marin Karmitz

director, producer, éditeur de films

in Bucharest Romania

FAMOUS FILMS (selection):

• PARANOID PARK (2010)
• TEN (2002)
• TROIS COULEURS (1993-1994)

• IRA SACHS
  on ECONOMY
• MARGARET MÉNÉGOZ
  on TRUST
• HANS HELMUT PRINZLER
  on MEMORY
• MATHILDE BONNEFOY
  on TRUTH
• PETER GREENAWAY
  on PAINTING
• BETTINA BÖHLER
  on CONFIDENCE
• WOLFGANG BECKER
  on MUSIC
• KARIM AïNOUZ
  on MELANCHOLIA
• HANNA SCHYGULLA
  on DREAMS
• KELLY REICHARDT
  on YEARNING
• BENJAMIN HEISENBERG
  on PRECISION
• STEFAN RUZOWITZKY
  on the EVIL
• CHRISTIAN BERGER
  on DISTANCE
• ALAIN GUIRAUDIE
  on DESIRE
• THOMAS ARSLAN
  on ADVENTURE
• JACQUES DOILLON
  on FEELINGS
• DENIS CÔTÉ
  on SILENCE
• PABLO LARRAÍN
  on HISTORY
• MARGARETHE VON TROTTA
  on COURAGE
• ULRICH SEIDL
  on PARADISE
• URSULA MEIER
  on SPEED
• HANS-CHRISTIAN SCHMID
  on STORYTELLING
• OLIVER HERMANUS
  on OBSESSION
• YORGOS LANTHIMOS
  on FAMILY
• MICHAEL GLAWOGGER
  on TRAVELLING
• AGNÈS GODARD
  on PERSPECTIVES
• BENEDIKT SCHIEFER
  on SOUND
• BEKI PROBST
  on SUCCESS
• JAMES BENNING
  on TIME
• JAN KRÜGER
  on DESIRE
• ANGELINA MACCARONE
  on EYES
• ULRIKE OTTINGER
  on PLACES
• ARTHUR COHN
  on PRODUCING
• CHARLOTTE RAMPLING
  on LOOKS
• MARIN KARMITZ
  on COLLECTING
• CHRISTINE VACHON
  on HEROES
• CHRISTOPH HOCHHÄUSLER
  on ARCHITECTURE
• WIELAND SPECK
  on FESTIVALS
• XAVIER DOLAN
  on IMAGINATION
• CAM ARCHER
  on STILLNESS
• HAPPY NEW YEAR
  CINEPHILE NEW YEAR GREETINGS
• TOM TYKWER
  on CHANCE
• Special Issue #1
  FILM and LITERATURE
• "JOE" WEERASETHAKUL
  on MEMORY
• NIKI REISER
  on COMPOSING
• SHIRIN NESHAT
  on ART and POWER
• HARRIS SAVIDES
  on BEAUTY
• PETER PRZYGODDA
  on EDITING
• JESSICA HAUSNER
  on IMAGES and MEANING
• DOMINIK GRAF
  on TELEVISION
• ANGELA SCHANELEC
  on SPACES
• ANDRES VEIEL
  on DOCUMENTARIES
• MICHAEL HANEKE
  on VIOLENCE
• AGNÈS VARDA
  on POETRY
• HARUN FAROCKI
  on MATERIAL
• DANI LEVY
  on HUMOUR
• WIM WENDERS
  on PHOTOGRAPHY
• CATHERINE BREILLAT
  on INTIMACY
• ANDREAS DRESEN
  on AUTHENTICITY
• ISABELLA ROSSELLINI
  on SEX
• CHRISTIAN PETZOLD
  on COMMUNICATION
• MIKE LEIGH
  on THEATRE
• JONATHAN CAOUETTE
  on CINEPHILIA
• MICHAEL ALTHEN
  on REMEMBERING
• BRUCE LA BRUCE
  on PERVERSION
• KEN LOACH
  on POLITICAL CINEMA
• GUY MADDIN
  on MEMORY

MARIN KRAMITZ on Collecting

During the Nouvelle Vague the Romanian immigrant Marin Karmitz worked as an assistant director for Jean-Luc Godard and Agnès Varda in France and started to shoot his own films as a director in the sixties. He finally concentrated fully on working as a producer and distributor. Today Marin Karmitz has produced 90 films, distributed more than 300 feature and documentary films and is the owner of ten cinemas in Paris. However he wouldn't call himself a collector.

MARIN KRAMITZ über SAMMELN

Während der Nouvelle Vague arbeitete der rumänische Immigrant Marin Karmitz als Regieassistent von Jean-Luc Godard und Agnès Varda in Frankreich und drehte in den 60er Jahre als Regisseur eigene Filme, um sich schließlich ganz und gar auf die Produktion und den Vertrieb von Filmen zu konzentrieren. Heute hat Karmitz 90 Filme produziert, weit mehr als 300 Titel verliehen und besitzt zehn Kinos in Paris. Als Sammler würde er sich trotzdem nicht bezeichnen.

Zu dem Essay: Dire merde à la peur